This is the final part in a three part series about how to improve your pictures. Part 3 will focus on one of the most important aspects of any photograph, the way it looks.
In the last part I discussed a few basics on digital terminology. Photography has always been a gadget driven pursuit. It is helpful to understand how the tool operates but focusing too much on cameras and flashy technology can be distracting from the priority, which is making pictures.
But photography as a spoken language? That’s a fairly ridiculous notion when considered literally.
But it’s true. All visuals are a way of communicating. A way that transcends spoken language. Because we recognize and respond to symbols faster then anything else.
As far as photography is concerned, this is done through composition and framing. And like most language, it takes time to learn to speak it.
Composition:
Photo composition has the same meaning as when it’s applied to a painting or design. It is the way elements are arranged and work together.
One of the simplest concepts is known as the Rule of Thirds. Basically, if a two-dimensional image is divided into equal thirds, the focal point of the picture should lay somewhere on those divided lines.

Otherwise known as off-center.
Truly more of a guideline then a rule. It’s definitely meant to be broken.
Also, paying close attention to the relationship between foreground and background can help.
Having a subject contrasted against a plain background helps the subject pop out. The human eye connects quickly with contrasts between light and dark, and contrasts between colors.
In the example above, the bug pops from the background of the image because it’s darker then the background, creating a contrast, and also because it’s a contrasting color.
Framing:
With your own pictures perhaps trying to make it more interesting is only a matter of exploring your surroundings and finding a fresh angle. Or maybe moving the camera up or down a few feet. Studying the frame and what to include or exclude is one of the biggest challenges with image-making.
Practice viewing a scene through the LCD screen or viewfinder and pay attention to the outside edges of the frame. Pay attention to how close a subject is to the outside edges – the closer, the more tension there is, and the closer to the center, the less tension. It’s always important to pay attention to the edges of the frame before the central parts of the image.
Experiment with the amount of breathing room between the edge and your subject. Is more or less room better for your picture?
It’s also important to note in two-dimensional images objects in the background intersecting with elements in the foreground can sometimes create unwanted tangents. Especially so with human subjects and the area around their heads. Generally the face or head of a subject should live within it’s own realm and not be intersecting with too many other elements.

In this famous painting, The Night Watch, you will notice how every face is visible. And successful photographs are the same.
Another fun and creative way to practice framing is placing a frame within a frame.

Just about any object can be used as a framing device
The idea about frames within frames is the beginning of layering elements in a picture. A fun challenge, especially with moving subjects.
Everything talked about here are basic compositional and framing techniques. The best way to get creative with pictures is by experimenting on your own. It’s a process of developing a sense for pictures and how they work. That sense can be matured by looking at photography and practicing it on a regular basis. And of course to have fun with it and get creative.
So folks, that wraps up my three part series on photography basics. I plan to resume sharing work on a regular basis and perhaps continue discussions about photography, photojournalism and visual media in the near future. Enjoy the warm weather and get out and make pictures.